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Text and images refer to pages in "Future Noir: The Making of Blade Runner" (1996) by Paul M. Sammon.
Batty breaks Deckard's fingers: edited differently; shot of obviously dummy hand used, not seen in any other version. "Proud of Yourself, Little Man", page 401.
There appear to be more sustained shots of Deckard dangling from the building after he jumps across including the wide shot straight on and the down shot before Batty jumps [not described in book] "The Roof", page 402.
Wide master shot with Police Spinner in background, Batty screen center and Deckard screen right. "Like Tears in Rain; But Then Again, Who Does?", page 402.
When Deckard and Rachel leave, he opens the door and then waves her on. This is a reverse angle of what is seen in The Director's Cut. In the Director's Cut, he checks the hallway, in the Workprint he does not. "Souvenir of Dreams", page 403.
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