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Text and images refer to pages in "Future Noir: The Making of Blade Runner" (1996) by Paul M. Sammon.
Crane shot of Deckard walking through Animoid Row; camera cranes up to neon sign and dissolves into next scene, "Manufactured Skin", page 398.
Wide shot of street outside Snake Pit Club, "Miss Salome's Dressing Room", page 398.
Two women in hockey masks, dancing in plastic tube, "Miss Salome's Dressing Room", page 398.
Policeman points Deckard to the Snake Pit, "Miss Salome's Dressing Room", page 398.
Deckard struggles with his tie longer after Zora nearly strangles him, "Miss Salome's Dressing Room", page 399.
When Batty confronts Tyrell there is a bad picture edit when the shot switches to Tyrell, the position of Batty's shoulder and face changes jarringly. This is covered in the finished film by using a cutaway shot. [not described in book].
Tyrell's death scene is edited differently, the shot of the dummy head being crushed is sustained longer, making it quite obvious that it is just a dummy head, "The Prodigal Son Brings Death", page 400.
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